| Key: =
essential 3D sound papers;  =
essential musical papers; • = other good stuff.
2011
“Bridging
A Shamanic Worldview and Electroacoustic Art.” Presented at EMS 2011,
New York. Soon to be published on EMS Website. PDF.
“Why Things
Don't Work: What You Need To Know About Spatial Audio.” Co-authored
with Andres Cabrera. Proceedings of the 2011 International Computer
Music Conference. PDF.
2010
“Spatial
Perception and Cognition In Multichannel Audio for Electroacoustic
Music.” Organized
Sound, 15(3):228-38, Cambridge University Press, UK. PDF.
•“Idiosyncrasies of Spatial Perception in Multi-Loudspeaker Reproduction.” Proceedings
of the 2010 International Computer Music Conference. New York, USA.
“Meaning
in Electroacoustic Music and the Everyday Mind.” Organised
Sound, 15(1): 63-74, Cambridge University Press, United Kingdom. PDF.
2009
•“La interpretación de la espacialización electroacústica:
atributos espaciales y esquemas auditivos.” Translated to Spanish by Martin
Liut. English title: “Interpreting Electroacoustic Music: Spatial Attributes
and Auditory Schemata.” Chapter 7, Musica y Espacio: Ciencia, Tecnología
y Estética. Gustavo Basso, Oscar Pablo Di Liscia and Juan Pampin,
editors. Argentina: Universidad Na-cional de Quilmes.
•“Listening to Art: Aural Cognition in Electroacoustic Music.” Proceedings
of the 2009 Electroacoustic Music Studies Conference, Buenos Aires, Argentina.
2008
“What is an Event? The EVENT Schema, Circumstances,
Metaphor and Gist.” Proceedings of the 2008 International
Computer Music Conference, Belfast, UK. PDF.
“Interchange Formats and the Art of Spatial Audio.” Proceedings
of
the 2008 International Computer Music Conference, Belfast, UK. PDF.
•“Toward an Interchange Format for Spatial Audio Scenes.” Authored
with Nils Peters and Matthias Geier. Proceedings of the 2008 International
Computer Music Conference, Belfast, UK. PDF.
•“The Effect of Air Turbulence on Sound and Its Application to Musical
Signal
Processing.”
Matthew Bruns, first author. Proceedings of the 2008 International Computer
Music Conference, Belfast, UK. PDF.
“The
Artistic Play of Spatial Organization: Spatial Attributes, Scene
Analysis and Auditory Spa-tial Schemata.” Co-authored with
Mauricio Ardila. Computer Music Modeling and Retrieval: Sense of
Sounds. Richard Kronland-Martinet, Sølvi Ystad and Kristoffer
Jensen, editors, LNCS series, Springer Verlag. Volume 4969/2008. PDF.
2007
“The
Artistic Play Of Spatial Organization: Spatial Attributes, Scene
Analysis and Auditory Spatial Schemata.” Proceedings of the
2007 International Computer Music Conference, Copenhagen,
Denmark. (Also to be published in the CMMR Post-Symposium Proceedings,
LNCS series, 2008.)
•“Reconnecting Music to Spirit: the Spiritual Sound Ensemble.” Proceedings
of the 2007 SPARK Festival of Electronic Music and Arts, Minneapolis,
Minnesota. PDF.
2006
“Juxtaposition
and Non-Motion: Varese Bridges Modernism and Electroacoutic Music.” Organised
Sound, 11(2): 159-171, Cambridge University Press, United Kingdom. PDF.
•“Fuzzy Logic Control Tool Kit: Real-time Fuzzy Control for Max/MSP
and
Pd,” co-authored with Rodrigo Cadiz (first author), Proceedings of
the
2006 International Computer Music Conference, New Orleans, LA. PDF.
2005
“ Qosqo:
Spirituality, Process and Structure” Proceedings of the
2005 International Computer Music Conference, Barcelona, Spain. PDF.
•“A
Particle-based Fuzzy Logic Approach to Sound Synthesis, ” co-authored
with Rodrigo Cadiz (first author). Electronic Proceedings. CIM05,
2005 Conference on Interdisciplinary Musicology, Montreal, Canada. PDF.
1995
"
A 3-D Sound Primer: Directional Hearing and Stereo Reproduction," Invited
paper. Computer Music Journal, Vol. 19, No. 4. PDF.
" The Decorrelation
of Audio Signals and Its Impact on Spatial Imagery," Computer
Music Journal, Vol. 19, No. 4. PDF.
•"Spatial Sound Effects in a Software Effects Processor," co-authored
with Mathew D. Moller, Proceedings of the 1995 International
Computer Music Conference, Banff, Canada.
•"A Software Compressor for Computer Music Applications," co-authored
with Steve Netherton, Proceedings of the 1995 International
Computer Music Conference, Banff, Canada.
•"The Sound of Fruits and Vegetables: Scientific Visualization with
Auditory Tokens," co-authored with Lonny Chu, Proceedings of
the 1995 International Computer Music Conference, Banff,
Canada. PDF.
•"3-D Sound Demonstration: Sex/Window," composition and demonstration, Proceedings
of the 1995 International Computer Music Conference,
Banff, Canada.
1994
•"The Effects of Multi-Channel Signal Decorrelation in Audio Reproduction," Proceedings
of the 1994 International Computer Music Conference, Aarhus,
Denmark.
1993
•"PinnaWorks: a NeXT Application for Three-Dimensional Sound Processing
in Real-Time," Proceedings of the 1993 International Computer
Music Conference,
Tokyo.
•"An Implementation of a 3D Binaural Audio System Within an Integrated
Virtual Reality Environment," co-authored with Rick Bidlack and
Dorota Blaszczak (Banff Center for the Arts), Proceedings
of the 1993 International Computer Music Conference, Tokyo.
1992
•"Visualization by Ear," Computer Music Journal, Vol.
15, No. 4.PDF.
•"Directional Sound Processing in Stereo Reproduction," Proceedings
of the 1992 International Computer Music Conference, San
Jose, CA. PDF.
1990
"
Spatial Sound Processor for Headphone and Loudspeaker Reproduction," co-authored
with Martin D. Wilde and William L. Martens, published in "The
Sound of Audio," The Proceedings of the AES 8th International Conference,
Washington, D.C., 1990. PDF.
1989
"Spatial Reverberation: Discussion and Demonstration," co-authored
with Martens, W. L., & Decker, S. L. In: M. V. Mathews & J.
R. Pierce (Eds.), Current Directions in Computer Music Research.
Cambridge: The MIT Press, 1989. Sound examples were included
in the accompanying CD.
1987
•"Essays on the 1986 International Computer Music Conference," editor
with various contributors, Computer Music Journal, Vol.
11, No. 2.
1986
•"A Modular Environment for Sound Synthesis and Composition," co-authored
with Shawn L. Decker, Brian L. Schmidt, M. Derek Ludwig and Daniel
J. Freed, Computer
Music Journal, Vol. 10, No. 4. PDF.
•"Spatial Processing Software at Northwestern Computer Music," co-authored
with William L. Martens, Daniel J. Freed, M. Derek Ludwig, and
Richard Karstens, Proceedings of the 1986 International Computer
Music Conference,
The Hague, Netherlands.
"
Image Model Reverberation from Recirculating Delays," co-authored
with William L. Martens, Daniel J. Freed, M. Derek Ludwig, and Richard
Karstens, Preprint #2408 (C-17), Audio Engineering Society 81st Convention,
Los Angeles, November, 1986. PDF.
1985
•"A Unified Approach to the Editing of Time-Ordered Events," co-authored
with Shawn L. Decker, Proceedings of the 1985 International
Computer Music Conference, Burnaby, B.C., Canada.
•"A Network Sound System for UNIX," co-authored with James M.
Roth and Shawn L. Decker, Proceedings of the 1985 International
Computer Music Conference,
Burnaby, B.C., Canada.
1984
"
Simulating the Cues of Spatial Hearing in Natural Environments," co-authored
with William L. Martens, Proceedings of the 1984 International Computer
Music Conference, Paris, France. PDF.
•"A Modular Approach to Sound Synthesis Software," co-authored
with Shawn L. Decker, Proceedings of the 1984 International Computer
Music Conference,
Paris, France.
1983
•Record review of "Heliograms" by Jean Piche, Computer
Music Journal,
Vol. 7, No. 4.
•"Report on the 1982 International Computer Music Conference," co-author
with Blum, et al., Computer Music Journal, Vol. 7, No.
2.
1982
" Composing
from a Geometric Model: Five-Leaf Rose," Computer Music
Journal, Vol. 5, No. 4. This issue also included a sound sheet
with an except from "Five-Leaf Rose." PDF.
•"
Report on the 1981 International Computer Music Conference," co-author
with Strawn, et al., Computer Music Journal, Vol. 6,
No. 2.
1981
•"The Simulation of Three-Dimensional Localization Cues for Headphone
Listening," co-authored
with Carolyn Rodgers, Proceedings of the 1981 International
Computer Music Conference, Denton, Texas. |
